Production Advice Launched

OK ! As promised, I'm posting this here first - I'm delighted to announce the launch of my new website - Production Advice. It's live now, please head over and take a look.

The idea is to offer anyone access to the opinions of professional producers - to give expert, impartial advice on recording, mixing and production issues to anyone who needs it, via a brand new blog, carefully selected resources and a unique package of affordable services.

I think many Mastering Media readers will find it interesting - I'm going to relish the opportunity to talk about a much wider range of subjects than I do here, and I'd love to hear from you, too - please give me your feedback in the blog comments, or come and say Hello on Twitter.

This doesn't mean the end of the Mastering Media blog though - I'll still be posting regularly here on mastering-focused subjects. I see the two sites as complementing each other, and I hope you agree.

So, please take a look and let me know what you think - sign up to the RSS feed and if you're recording or mixing yourself, maybe even give the free trial a shot. And please pass the word to other people who you think might be interested.

See you at Production Advice !

Ian

Video interview for The Manchester College

Today I was interviewed by Pete Whitfield from The Manchester College, via iChat. We talked mainly about mastering - what it is, how I got started and what gear I use, and what skills are necessary, but also a little about music and social media - blogging, Twitter etc. 

I will also be answering questions (if there are any!) from students at the college all this week on their forum. Thanks to Pete for inviting me.

 

 

Does Rick Rubin Deserve the "Producer Of The Year" Grammy Award ?

It just had to happen.

I knew it would happen.

And then it happened, about an hour ago, right there in my Twitter stream:

What may surprise you, though, is that I'm perfectly happy with this decision. 

Even though Rubin produced Metallica's "Death Magnetic" - arguably one of the worst-sounding records ever made.

Even though some may use this as evidence to say he was right to do so, or that "Death Magnetic" actually sounds OK (It doesn't).

And even though he also produced albums for Weezer and Ours, both also pointlessly loud and crushed, in the mistaken belief that this sounds better on iPod headphones, in cars or on computers. (It doesn't)

Why ? Because being a Producer is much more than deciding how an album sounds.

A producer also works with the band on:

• Composition
• Performance
• Arrangement
• Subject, Feel, Mood, Motivation, Pace, Atmosphere...

- and many many other, less tangible aspects of the recording process. 

I'll be talking about issues like this in much greater depth on my new site (coming soon !) but as far as this particular producer is concerned, it's also worth saying that Rubin is not an engineer. It has often been commented that his input into a record is much more about things like those in the list above, than how the record actually sounds. (In fact, the engineer responsible for actually pushing "Death Magnetic" into the red is Greg Fidelman, chosen by the band, not Rubin.)

On these musical terms, fans and critics alike are unanimous that "Death Magnetic" is a huge success. Rubin coaxed some of the best songs and performances in years from Metallica, making it a true return to form, and a huge commercial success for them as a result. In this sense his award is fully deserved.

And clearly he knows Good Sound when he hears it - he is a self-professed audiophile who listens to a startlingly wide range of music. Just take a listen to two other albums he produced in 2008 - Neil Diamond's "Home Before Dark" and Jakob Dylan's "Seeing Things". Both sound fantastic (not at all distorted!) and are also highly acclaimed - along with a string of other albums through a long and very successful career.

So I would like to take the opportunity to be one of the first to congratulate Rick Rubin on his Grammy, and to say again that I fully support the decision to award it to him.

I just hope his next album doesn't sound like "Death Magnetic".

Edit to add - I just noticed that Nigel Godrich was also up for this award, for his work on "In Rainbows". Did Rubin deserve to win over and above Nigel ? Hm...

The Ten Most Distorted Tunes In Music History

Distortion is the Jekyll and Hyde of recorded music. Strictly speaking it's a fault, but the terrible truth is - we love it.

Don't believe me ? Open your ears and listen around - the evidence is everywhere.

Here's a list of ten highly distorted songs -

 some sound great, some don't. Some are deliberate, some may not be. What is certain is that not everybody will agree about which is which...

Where possible I've linked to online previews of each song, so you can hear them for yourself.

The Beatles "Revolution" - The Beatles didn't invent distortion, but they sure as hell brought it to the masses, most famously in this scorching track from the White Album. Instead of mic-ing up an amp as they usually did, in this case George's guitar was plugged straight into the desk - a technique now commonly known as direct injection, or DI-ing. However it overloaded the sensitive input and distorted wildly. This fantastic, powerful sound combined with Ringo's heavily compressed and limited drums, drives the song along at a frantic rate. Listening to it, it's hard to believe that the same band had released "Eleanor Rigby" and "Yesterday" only two years before.

Oasis - "Some Might Say" - From their massively successful album "What's The Story Morning Glory", which is one of the first heavyweight casualties of the modern so-called Loudness Wars - in fact, some might say (hah!) it was the tipping point at which the trend for loudness at the expense of audio quality began to accelerate out of control. Ironically, even though at times it is just as loud as Metallica's "Death Magnetic" - arguably the current benchmark of crap sound on CD - it often sounds less blatantly distorted.

Primal Scream "Accelerator" from "Xtrmntr". This is the most distorted song I know. If you know better, please tell me ! It's incredibly, unbelievably, fantastically, extraordinarily distorted. And it's great. It's a deliberate, inspired artistic choice, (as you can tell from the relatively clean vocals) and the way it actually gets even more distorted as the song progresses. Many will find this unlistenable - it just makes me giggle.

Iggy & The Stooges "Search and Destroy" - from 1973's "Raw Power". Often cited as the loudest CD ever made, the 1997 re-master of this classic album divides opinion - Iggy was unhappy with the sound of the original 1989 release and supervised this one himself; critics say it's worse than the original. What's certain is - it's very loud and VERY distorted.

John Mayal & The Bluesbreakers with Eric Clapton - "Key To Love" from "Bluesbreakers". This album is often cited as the first time anyone heard what has now become an "industry standard" guitar sound - a Gibson Les Paul, heavily overdriven through a Marshall amp. In fact we are so used to the sound of distorted electric guitars these days that many people simply don't realise the sound is distorted at all - but the beautiful crunchy, warm valve amp sound is unmistakable, and still impossible to emulate by other means, even today.

The Wildhearts "Why You Lie" from "Endless Nameless" - Legendarily nasty-sounding, the reasons for this album's distinctive sound are unclear. Every interview with the band seems to bring a different explanation, ranging from claiming it was "the sound of drugs [and] frustration at how dysfunctional our band was", through through stories that it was deliberate sabotage as revenge on their record company, to a simple "we were sick of hearing limp-wristed rock albums, and ...we went completely over the top". Certainly it's true that they "destroyed a few when mixing, and usually used the f**ked up tracks "...

Underworld "Rez" (Single) It was only when I heard the rendition of this track on the live DVD "Everything Everything" that it hit me - the signature lead synth sound of this track, the thing that makes it what it is - is pure distortion. Right at the end of the live version, the amazing, fuzzy, glittering sound gradually softens, smooths and clears into a pure, soft, flute-like synth sound, bearing no relation whatever to the rest of the track. They've turned it down, so it stops distorting. Without distortion, this tune would be nothing.

Metallica "The Day That Never Comes" from "Death Magnetic" What, you thought I wouldn't mention it ?! I've already written and said far to much about this album and it's heavily distorted sound - suffice to say it's not big, not clever, and sounds rubbish, in many people's opinion. Moving swiftly on...

Take That "Patience" from "Beautiful World". Pointless. Just ridiculous. "Death Magnetic" was a production decision, and in my opinion a bad one. I've no idea where the level was pushed too far on this album, but it's just inexplicable. Take That make polite, well-crafted, clean, classic pop tunes. So why does this album sound thick, fuzzy, and smushed ? [Shakes head]

The Beatles "I Am The Walrus" From the frankly ridiculous back to the simply sublime, and also where we started; with the band whose output almost forms a textbook of production techniques and creative recording for modern music, and another example of how distortion can be exactly what a song needs. As Ian MacDonald describes in his outstanding book "Revolution in the Head", this apparently playful nonsense song can actually be seen as desperate, defensive satire, and the distorted lead vocal fits this perfectly - even though it is probably mic distortion and so may have been a mistake. But there is other distortion here, notably on the electric piano at the start, backing vocals later and finally the gorgeous, quintessentially analogue detuning fizz and sweep of the live radio overdubs during the outro...

Distortion can literally make or break a track, but in the right hands it can be a delicate, beautiful thing. What songs are are your favourite distorted tracks, and why ?

( Thanks to the people who helped with suggestions and info for this post way back in November - Simon, @robgoldie, @fakesensations, @solarosa, @dperis, @ihatemornings and others. If I've forgotten you, remind me ! )

 

Happy Christmas !

Just a quick post to wish everyone reading this blog (who celebrate it) a very Merry Christmas, and a Happy New Year !

I'm excited at the moment because I'm working on new project which some of you may be interested in - it's early days yet but you'll all be the first to know when it goes live.

It's challenging and exciting, which is just the way things should be.

Let's hope the New Year brings plenty of great music, mixed and mastered at sane levels, and sounding fantastic !

I'll be off-line for most of Christmas, but I have several posts in the pipeline - watch this space. See you all in a couple of weeks !

The Future Of Music Composition ?

Get this widget!

How does realtime video collaboration with hundreds of contributors all around the world sound ? Could this be the future of music composition ?

Well, perhaps not quite yet, but it certainly made for an entertaining evening's viewing - and will continue to on future evenings, until the 24th of December.

I'm talking about the current Christmas Special run of internet show Rise and Shine TV - 

"a live show, in which songwriters face the daily challenge of writing a song based on news and current events. The songwriters get to choose what song they are writing - but audience suggestions are always welcome. It’s a tough ask, writing an original topical song from scratch in under three hours, and we need all the help we can get."

This evening, Ben Walker (him what wrote The Twitter Song) got plenty of help from his live audience, via the Mogulus chat interface, as over the three hour running-time, the initial concept of a song called "Christmas Volcano" gradually morphed into soon-to-be-christmas-hit "Magma Lady" - click on the play button in the widget above to hear it yourself.

The brilliance of this concept only really becomes apparent when you watch the show itself and start to interact - Ben, admirably simultaneously wielding guitar, keyboard and macbook while fielding comments and writing a song, would pause in mid sentence and mutter something like "a name, he needs a name", at which point suggestions would come flooding in, (along with links to Wikipedia articles on volcanoes) and you just can't help chipping in yourself.

It's addictive stuff, remarkably slick, and very high-tech - the show's producer Dean Whitbread (him what does John Cleese's podcasts) can choose to switch between multiple camera angles at the location, and also to himself or a live presenter - Christophe Delire, based (of course) in Belgium. Although, in pleasingly "live TV" fashion, nuts 'n' bolts are still in evidence - both Ben and Christophe received phone-calls while the show was on air. (Ben's was from his Mum, who may also be his manager. "Hi Mum, I'm live on the internet...")

My favourite chat suggestion of the evening was for the potential refrain "hot magma mama", which somehow got lost along the way, regrettably, along with my idea that the song's subject, a lonely geologist, would discover Santa's grotto while drilling for a magma chamber in Iceland. Or, at one point, Hawaii. 

However, I did leave one indelible mark on the evening's proceedings - I contributed the geologist's name: Derek.

The show got a great reception, and I for one will be eagerly tuning in again tomorrow evening to see what lies in store, and I recommend you do, too. The shows start at 7pm GMT - Twitter users can follow @riseandshinetv for updates and a heads-up when the show starts. Meanwhile there is an archive of the first series of Rise and Shine's TV output here.

*Stop Press* Watch the show again here: http://riseandshine.tv/ben-walker/ (but it's not the same without the live chat ;-)

 

My Massive CD-Mastering Mind Map

Everything you could ever want to know about mastering (*), all in one monstrous PDF mind-map file.

It speaks for itself, really.

(*) Or at least, everything that has occurred to me so far !

If you're curious, you can download it HERE.

This post started out as an experiment with a great piece of iPhone software - iBlueSky. I've been using this great little app on my beloved iPod Touch, and I'm seriously impressed. If you're an iPhone or iTouch user who's interested in mind-mapping software, I heartily recommend it. (When they add the ability to manually colour-code branches and type-set the text, it'll be even better.)

I'm also using it to brainstorm ideas for my new, very hush-hush "secret project" - but more on that in a future post.

If there are any questions or suggestions you'd like to make about the map and it's contents, please feel free to comment !